Bright Islands — Edition Insights

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In Category - Machines Invention
Orban, Paul, 1896-1974 [Illustrator], Riley, Frank, 1915-1996 Project Gutenberg 2019 Not confirmed
Science fiction; Short stories; Parapsychology -- Fiction; Telepathy -- Fiction; Soviet Union -- Fiction; Psychic ability -- Fiction; Experiments -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 5,510
Reading time 24 min
Text sections 1

The source record for Bright Islands — Edition Insights measures this digital text at 5,510 words, 24 min estimated reading time, and 1 detected text section.

The text analysis averages about 19.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

In a dystopian Soviet future, a pregnant telepath named Miryam defies the Genetics Center by choosing the moment of her death. The story opens with her holding a red capsule, resisting the urge to end her pain quickly, as she recalls her arrest and the Geno-Doctors' clinical detachment. Riley uses sensory details—blurring walls, flickering lights—to render her internal experience.
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Editorial Edition Score 4.3/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

_The future enters into us, in order to transform itself in us, long before it happens._--RAINER MARIA RILKE

[Transcriber's Note: This etext was produced from Worlds of If Science Fiction, June 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

When the two Geno-Doctors were gone, Miryam took the red capsule from under the base of the bedlamp and slipped it between her dry lips.

Reason told her to swallow the capsule quickly, but instead she held it under her tongue, clinging, against her will, to the last few moments of life.

She knew she was being weak, that she was still seeking hope where there was no hope, and she prayed to the ancient God of the Ghetto that the gelatin coating would dissolve quickly.

Pain interrupted the prayer, spreading like slow fire from deep within her young body, where the unwanted child of Genetics Center stirred so restlessly, so impatient to be born.

The white walls of her Center room blurred in and out of focus. Shadows merged together in brief, uncertain patterns. Lights flickered where there were no lights, and the darkness was so intense it had a glare of its own.

At the worst of the pain cycle, Miryam bit down on her under lip until the flesh showed as white as her teeth. She fought off temptation to crunch the capsule and put an end to all pain, all fear.

No, she would not go that way. She would go in a moment of blinding clarity, knowing why, savoring the last bitter sweet second of her triumph.

With a subconscious gesture of femininity, Miryam brushed the dark, damp hair from her forehead, and wiped the perspiration from her lips.

"Pretty little thing," one of the Geno-Service agents had called her, when she was arrested last fall in the Warsaw suburb where she had taught nursery school since escaping from the Ghetto.

"Doesn't look a bit like one of her kind," another agent had said, putting his hand under her chin and turning her face to the glare of his flashlight. "No wonder she fooled the Psycho and Chemico squads.... Lucky for us!"

"What's the matter, little one?" the first agent had spoken again. "Didn't you know we were coming? I thought all of you people were supposed to be telepaths.... Or doesn't it work when you're asleep?"

He flipped the covers off her trembling body and whistled.

"Hands off!" the Geno-Sergeant had warned sharply. "She's for Center!"

Now the capsule under her tongue was moist and soft. Time fled on swift, fluttering wings. Soon the horror would be done.

But the stubborn spark still glowed, and Miryam allowed her mind to drift down the long, shining corridor to the room where the younger of the two Geno-Doctors was changing into a white coat. The older man, who wore the gold trefoil of Geno-Sar on his collar, tilted back in his chair.

"She should be just about due," he said cheerfully.

"Yes, Sir," replied the young doctor, sounding the proper note of deference for a man who communed daily with the political elite.

"What do you think of her?"

"Well, Sir, frankly--I was surprised--" The young doctor twisted muscular arms to button the back of his jacket. He had but recently come from the Genetics Sanitarium on the Black Sea, and his face was tanned deep brown. "From reading the weekly reports of your staff, I didn't know she was that--that young--"

Miryam trembled with a hope she dared not recognize, but it was crushed out of her by the Geno-Sar's booming voice.

"Not only one of the youngest--but one of the very best specimens we've had to work with at Center! You read her psi rating?"

"Yes, Sir. Seventy-two point four, wasn't it?"

"Seventy-two point six! Absolutely phenomenal! Closest thing to a pure telepath our agents have ever turned up for us! This could be a big night for Center, my boy.... A big night!"

The young doctor shook his head to clear away the lingering image of a tragic, lovely face against a tear-stained pillow. Miryam was startled to find this image in his mind, and her pulse leaped again.

In a carefully professional tone, the young doctor asked:

"What was her rating after insemination? Did the emotional shock...?"

"Not at all! Oh, naturally, she was uncooperative in the tests, but pentathol and our cross-references gave us a true picture!"

"And the spermatozoa?"

"Best we could get! Refrigerated about thirty years ago from a specimen that tested forty-seven point eight."

The Geno-Sar paused, and because a comment was obviously in order, the young doctor said:

The story begins not with action but with a held breath. Miryam, a pregnant telepath in a Soviet Genetics Center, has just been given a red capsule by two Geno-Doctors. She does not swallow it. Instead, she holds it under her tongue, prolonging the last moments of her life. The narrative immediately establishes a tension between submission and defiance: she knows she must die, but she resists the urge to crunch the capsule and end it quickly. The opening is intimate, focused on physical sensation—dry lips, slow fire spreading from her womb—and on the blurred, unreliable perceptions of a woman in pain. Riley signals that this is a story about control, both institutional and personal, and about the small, stubborn choices that define a character.

The Capsule and the Countdown

The red capsule is more than a plot device; it is the story's central symbol of agency. Miryam holds it under her tongue, aware that the gelatin coating will dissolve. The narrative tracks her internal debate: she prays for a quick dissolution, yet she clings to the seconds. This ambivalence is reinforced by her memory of the Geno-Sergeant's warning—'She's for Center!'—which frames her as an object of institutional control. The capsule becomes a measure of time, and Miryam's refusal to crunch it is a refusal to let the state dictate the terms of her end. Riley uses the capsule to compress the story's tension into a single, physical object.

The Gaze of the Geno-Service

Miryam's arrest is recalled through the eyes of her captors. An agent calls her a 'pretty little thing,' another remarks that she 'doesn't look a bit like one of her kind.' The dialogue reveals the Geno-Service's casual dehumanization: they see her as a specimen, not a person. The flashlight glare, the flip of covers, the warning to keep hands off—all emphasize her vulnerability and the clinical, predatory nature of the state. Riley contrasts this external gaze with Miryam's internal focus on pain and memory, creating a layered portrait of a woman observed but not understood.

The Weight of the Unborn Child

The pregnancy is described as 'the unwanted child of Genetics Center,' stirring 'restlessly, so impatient to be born.' Miryam's body is a battleground: the child is both the reason for her death sentence and a source of pain that she endures. Riley does not sentimentalize the fetus; it is an agent of the state, yet it is also part of her. The story's title, 'Bright Islands,' may allude to moments of clarity or resistance within a system designed to extinguish individuality. Miryam's final act—choosing to die in 'blinding clarity'—suggests that even in defeat, she reclaims a fragment of autonomy.

Readers should pay close attention to the story's sensory details—the blurring walls, the flickering lights, the taste of gelatin. These are not mere atmosphere; they map Miryam's psychological state and her resistance to the clinical world of the Center. The epigraph from Rilke, 'The future enters into us... long before it happens,' hints that Miryam's death is not an end but a transformation. The story rewards a slow, careful reading that attends to the weight of each gesture and the silence between lines of dialogue.

The rain drummed on the windowsill that afternoon while I sat with Bright Islands, and Miryam’s refusal to let anyone decide her ending stayed with me long after I closed it. That quiet defiance, how small choices echo, made me reach sideways for the adjacent shelf. I found Nor Dust Corrupt — Edition Insights there, and its worn cover felt like a natural next conversation.

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