The Men of Boru — Reading Notes
Edition facts
The catalog record for The Men of Boru — Reading Notes provides practical reading context through 10,050 words, 44 min estimated reading time, and 2 detected text sections.
The text analysis averages about 12.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Franz looked away. "As you wish. If you're determined to go through with it, then let's start. But first, remember that you're Steel-heads, bred and raised with no other thought than to carry out the will of Him--The Leader. His will is your will. You do not think, you only act according to orders. Don't look intelligent, that is suspect. Just stare straight ahead and do what I tell you--or what any other officer might tell you, for that matter. Remember, don't question anything! Just follow orders."
He laid his hand on the door that led to the city, hesitated for a brief instant, then swung it open. As the men entered, walking stiffly with eyes coldly searching for the unknown, they were hit by a high-pitched whine that filled the corridor and seemed to pierce deep within them. The three men covered their ears with their hands and cringed. But Franz stood straight and moved his head around to catch the noise from all angles. His mouth opened and closed slowly as if he were trying to pull the shrill noise deep within him. Finally he shook his head, as a dog shakes off water, and gathered command of himself.
"It is The Leader," he said in a loud voice to overcome the whine. "Soon you will not notice it. It is everywhere."
Sten removed his hands from his ears and felt the noise creep over him. He shuddered, and felt beads of sweat form on his forehead as the sound seemed to gnaw at his consciousness. Soon the others were able to bear the noise with their ears uncovered, but they felt restless and uneasy.
"We're lucky not to have been seen," said Franz. "Come on."
They moved down the corridor in military formation, Franz leading and the others following dumbly. The corridor was small and well-lighted. Doors opened into cubicles every few feet, and the wall was lined with wide view-screens that stared out, like probing and sullen eyes. The men kept their eyes straight ahead, but occasionally they flicked a glance sideways at the people that were passing them in both directions. They halted as they reached the main corridor.
A loud buzzer rose above the whine, and people emerged from the doors along the walls and passed them in silence. Eyes fixed on the ground. A few talked as they went by, but none noticed the soldiers standing at the edge of the corridor.
Three girls, walking in silence, paused before the men for a brief instant, then passed on. Sten felt his eyes following the girls hungrily. Catching himself, he pulled back to attention and nudged his brother at his side. "Steel-head, Johnathon, remember?" Johnathon again looked straight ahead and stifled the beginnings of a grin that tugged at the corners of his mouth. Franz also stared after the girls, but his eyes wore an amused expression, rather than the longing look of the other men.
Franz spat out a curt order and they began to march down the corridor again, the crowd making room for them automatically. Everywhere posters glared at them from the walls. Some pictured a huge eye that stared out with the words, "The Leader is watching." Others showed the smiling faces of a throng of people. Underneath, in scarlet lettering was emblazoned: "Panamia and The Leader March On--PROGRESS."
For an hour they marched through the city, ignored by the people and apparently unaware of all that was happening around them. They passed thousands of men and women, a milling mass, each immersed in a grim stupor. Where the main corridors intersected they entered great assembly places where huge view-screens were set up. They were always turned on.
A shrill emotional voice blared out a constant stream of propaganda. "People of Panamia, unite, work! The Root-Diggers must be repulsed! For the glory of The Leader, for the glory of Panamia, we must accomplish our utmost. We must give our all!"
"For The Leader! For Panamia!" the people shouted, rising momentarily from their dull world, their eyes glazed with emotion. Banners beneath the screens announced in large crimson letters: Service to The Leader is glory to yourself and Panamia.
The soldiers stood watching tight-lipped. Franz's nostrils quivered as the tumult of the demonstration thundered about them. His face took on an eager look as he watched the people shouting in exaltation, a curt movement of Sten's hand brought him back to the task at hand. He gave a short barked order and the group moved on.
The story opens with eight men standing on a hill, looking west over a burned, gutted landscape. The leader, Sten, wears a finely-worked leather belt, a symbol of authority, while Franz bears a livid scar from lip to forehead. Their goal: to reach the huge mounds in a depression—the buried city of Panamia. The setting is stark: heat radiates from sand, the moon is gibbous, and the men move in silence. The tension between Sten’s resolve and Franz’s doubt is immediate, established through clipped dialogue and physical detail.
Surface vs. Subsurface: A Divided World
The excerpts present a world split between a barren surface and a buried city. The surface is described as “burned, gutted land,” while Panamia lies beneath mounds, radiating heat and vibration. The men wear coarse tunics and grass sandals, moving in single file, avoiding the heat by traveling in the cold time of year. In contrast, the underground city contains recreation machines, corridors, and a “Leader” that controls its inhabitants. The division is not just physical but psychological: surface dwellers are free but meager, while subsurface inhabitants are “stilted, twisted, enslaved.” The narrative emphasizes the effort required to cross from one realm to the other, with the journey itself a test of endurance.
The Leader as Machine: Control and Resistance
Central to the story is “The Leader,” a machine that enforces mass hypnosis. Sten explicitly calls it “a smashed machine” when he destroys Kathryn’s recreation device, shouting, “There is your Leader—a smashed machine!” The inhabitants of Panamia are conditioned to feel nothing; Kathryn responds woodenly to Sten’s kiss, saying, “I feel nothing.” The resistance, led by Sten and his group, aims to break this conditioning. Franz, a former resident, notes that those he knew have “forgotten what they believed then or are gone,” highlighting the difficulty of awakening individuals. The machine’s influence is pervasive, yet the story suggests a breed immune to its effects—the men of Boru.
Tension in Dialogue and Gesture
The excerpts rely on terse dialogue and physical gestures to convey conflict. Sten’s command, “We have to succeed or disappear off the face of the Earth,” is met with Franz’s retort, “Maybe to be a slave is not so bad after all.” The scar on Franz’s face serves as a visible marker of past violence, while Sten’s leather belt signals his role. Moments of intimacy are undercut by control: Sten pulls Kathryn toward him, but she fights free. Even the act of leaving is fraught—Franz squeezes Sten’s shoulder and says, “Be careful, my friend,” before a planned rendezvous. The officer’s challenge, “Don’t I know you?” triggers a sudden physical struggle, showing how quickly tension escalates.
The excerpts offer a focused view of a rebellion against technological control, but the full story may develop the characters beyond these initial encounters. Readers should note the contrast between the surface’s open desolation and the city’s claustrophobic order, and pay attention to how the men’s relationships shift under pressure. The incomplete text leaves questions about Franz’s fate and the success of the escape, inviting careful attention to the narrative’s resolution.
Reading about Sten and the others moving under that dead sky, I remembered the dust of my own grandmother’s farm, and how Fresh Air Fiend — Story, Setting & Ideas once put me back there, among the dry grass. Both books hold that strange quiet before a change, where the surface feels thin, and something below hums. I just sat with that feeling for a while. Fresh Air Fiend — Story, Setting & Ideas stays in the same wistful register, like a window left open.
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