Cry Snooker — A Closer Reading
Edition facts
For Cry Snooker — A Closer Reading, the stored edition analysis reports 7,654 words, 34 min estimated reading time, and 1 detected text section.
The text analysis averages about 12.3 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
George wrapped a towel around his rump and came into the living room. Rosy sat curled up reading a magazine.
"Do me a favor, Rosy," George said. "Put caps on bottles so your perfume won't evaporate. I paid twelve bucks for that Chanel."
Rosy looked up at him, stretching her neck a little.
"And next time close the damn Bendix so I won't have to swim through the basement to shut it off."
"I told you, the catch wouldn't catch."
"The catch would catch all right if you didn't leave Timmy's diaper hanging out."
"That's not fair," Rosy said. "Blaming little Timmy."
His hands tried to crush an invisible bowling ball. "Just a little ... presence of mind, Rosy. Okay?"
"You dropped your towel," Rosy said, looking away.
George ran into the bedroom and came back in his pajamas. "For God's sake, honey, _try_ to remember what you're doing when you're doing it. Like with the power mower."
"I suppose _that_ was my fault?"
"Don't you know enough to cut the engine when you're done?"
"I _wasn't_ done. I had to answer the phone, didn't I?"
George threw up his hands. "So all right. So you left it running and it went right through Charlie's fence."
"Sometimes," Rosy said, putting down the magazine, "you exasperate me, George. I _told_ you, I put it in neutral or whatever it is."
"You put it in high and let it run through Charlie's fence."
Rosy looked at him as at a bad tomato. "Why," she said, "do I get blamed every time something mechanical goes wrong?"
But they kissed and made up because it was the night before their third wedding anniversary.
At the breakfast table next morning George gave her the diamond cocktail ring she'd drooled over. Rosy gave him the self-winding time piece he'd slobbered over in Cellini's window. Dear girl, had the courage to get it for nothing down and thirty-six months to pay.
"Don't gulp your food," Rosy said. "It's Charlie's turn to drive you."
In his high chair, Timmy scooped up handfuls of oatmeal and heaved them over the port side.
When Charlie came to the door he had a gift-wrapped box for them. It looked heavy. He gave it to Rosy and slipped on one of Timmy's oatmeal bombs and flew headlong into the couch.
"Happy wedding anniversary, you two," Charlie said, picking himself up. "When are you going to fix my fence?"
Rosy weighed the box in her arms. "Charlie, that's real sweet of you and Beth. Let's open it now, George."
"We're late," Charlie said. He wiped his shoe on the rug. "Come on, pal."
They took the freeway out of Sunnydale. Downtown the clock on the Trojan Life & Casualty building gave them four minutes to get there.
"What was in that box you brought?" George asked.
"Supposed to build up terrific pressure," Charlie said. "Five thousand pounds per square inch."
George stared before him as they drove into the Park-O-Port.
He had not a moment free till his coffee break at ten. Mr. Perkins wanted the Lawndale policies cleared right away and Mr. Zungenspiel had all the juniors in for a briefing on exorbitant rates. When he got back to his desk Maude Doody waited to interview him about his wedding anniversary for her "Sweetness and Light" column in _Keep Smiling_, the company weekly.
"I hope you're always polite to Rosy," Meddlin' Maude said. "I can't stand rude men. How old is Timmy now?"
"He'll be three in September."
Maude made a quick mental calculation. She looked doubtful. "And could you tell us what you gave Rosy for her wedding anniversary?"
"A pressure cooker," George said, forgetting everything else.
"Is that all? What kind of pressure cooker, George?"
"Five thousand pounds per square inch."
"I mean the _brand_," Maude said, stabbing the air with her sharp pencil. "Don't you think the folks would like to know the brand?"
"Uh, I guess the best."
"They're all best," Maude said. "Can't you remember the brand?"
Meddlin' Maude rose to her feet. She looked down at him severely. "George, you're slipping," she said and marched off to the _Keep Smiling_ office.
George grabbed the telephone. Five thousand pounds per square inch, he thought. Whammo!
The phone rang seven times. Then he dialed Charlie's house, but Beth did not answer either. Rosy and Beth spent hours at the supermart. It was the social center of Sunnydale where the gals could gossip a little and compare brands.
George took the elevator up to the company cafeteria. On the fifth floor Mr. Perkins stepped in.
"Just got your Lawndale policies," Mr. Perkins said. "Fast work, son. Keep it up."
"Thank you, sir. I had an inquiry this morning, sir. About domestic accidents."
"Shoot the problem, son."
The story opens with a marital spat over a forgotten Bendix lid and a runaway power mower, grounding its satire in recognizable domestic friction. George and Rosy’s anniversary exchange—a diamond cocktail ring for a self-winding watch on installment—immediately establishes a world where consumer desire and mechanical mishaps intertwine. The gift of a pressure cooker from neighbor Charlie, followed by a slip on oatmeal, sets up the absurd chain of events that will escalate into a full-blown economic system of 'Senseless Destruction.'
Domestic Friction as a Launchpad
The opening pages rely on rapid-fire dialogue and physical comedy. George’s complaints about perfume evaporation and the Bendix are met with Rosy’s deflections, each line revealing a power struggle over blame and competence. The power mower incident—left running in high gear through Charlie’s fence—is a microcosm of the story’s central conceit: well-intentioned actions that spiral into unintended destruction. Fetler uses these mundane arguments to foreshadow the larger-scale chaos to come, without ever leaving the couple’s living room.
The Pressure Cooker and Its Aftermath
Charlie’s anniversary gift, a pressure cooker, is the catalyst. Though the excerpt cuts before its use, the story’s title and later developments suggest it becomes a weapon of ‘senseless destruction.’ The narrative leaps from this domestic object to a society where such destruction is systematized: George becomes Special Adviser to the Mayor on Senseless Destruction, and ‘snookers’—presumably robotic or mechanical agents—buzz over rooftops. The pressure cooker thus bridges the personal and the political, turning a kitchen appliance into a symbol of economic policy.
The Rise of Vernher von Wissenschaft
Midway, the German inventor Vernher von Wissenschaft appears, cracking a Rommel whip and speaking in a thick accent (‘Chust come from the President’). He reveals that the snooker-based economy has become a global arms race: Russia and United Africa demand snookers or threaten atomic war. Vernher’s role as the ‘mad scientist’ figure—whose creations have no emotions, yet show ‘restlessness’—adds a Cold War layer to the satire. His suggestion of returning to ‘savage pre-civilization’ as the only way out underscores the story’s bleak humor.
E-Day and the Escape Plan
In the later excerpt, George tells Rosy ‘E-Day’ is here—‘E for Escape.’ The couple’s plan to flee the snooker-driven dystopia mirrors their earlier attempts to manage household chaos. George’s weariness (‘he had begun to despise himself’) and the snookers’ tendency to ‘sneak off course’ hint at a system collapsing under its own logic. The story leaves the outcome open, but the shift from domestic comedy to global crisis is complete, with the pressure cooker’s legacy now a world of ‘Round-the-Clock Employment for All’ and seventh mortgages.
Readers should pay attention to how Fetler escalates scale without changing tone: the same petty grievances that open the story reappear in George’s control room, now amplified to national and international stakes. The pressure cooker, never fully described in action, functions as a MacGuffin that drives the plot’s absurd logic. The story rewards those who track the recurring motifs of mechanical failure, blame-shifting, and the erosion of personal responsibility in a consumer society.
I have shelved Fetler’s Cry Snooker beside my own worn copy of Shatter the Wall — Reading Companion for years now, and they seem to whisper to each other. Both understand how walls—of consumer comfort, of certainty—are quietly built, then quietly come down. It feels like tending two old friends who never quite met, yet share the same patient, unsettling wisdom.
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