What is POSAT? — Context and Discussion
Edition facts
The catalog record for What is POSAT? — Context and Discussion provides practical reading context through 8,710 words, 38 min estimated reading time, and 1 detected text section.
The text analysis averages about 16.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Don was shocked. "If I send this back to them, it will have to be with correct answers!"
"The scientific attitude again," Betty sighed. "Don't you ever let your imagination run away with the facts a bit? What are you going to give for your reasons for asking about POSAT?"
"Curiosity," he replied, and, pulling his fountain pen from his vest pocket, he wrote exactly that, in small, neat script.
It was unfortunate for his curiosity that Don could not see the contents of the three envelopes that were mailed from the offices of POSAT the following week. For this time they differed.
Bill Evans was once again disappointed. The pamphlet that was enclosed gave what apparently meant to be final answers to life's problems. They were couched in vaguely metaphysical terms and offered absolutely no help to him.
His disappointment was tempered, however, by the knowledge that he had unexpectedly found a job. Or, rather, it had fallen into his lap. When he had thought that every avenue of employment had been tried, a position had been offered him in a wholesale pharmacy in the older industrial part of the city. It was not a particularly attractive place to work, located as it was next to a large warehouse, but to him it was hope for the future.
It amused him to discover that the offices of POSAT were located on the other side of the same warehouse, at the end of a blind alley. Blind alley indeed! He felt vaguely ashamed for having placed any confidence in them.
Miss Arnable was thrilled to discover that her envelope contained not only several pamphlets, (she scanned the titles rapidly and found that one of them concerned the sacred cats of ancient Egypt), but that it contained also a small pin with the symbol of POSAT wrought in gold and black enamel. The covering letter said that she had been accepted as an active member of POSAT and that the dues were five dollars per month; please remit by return mail. She wrote a check immediately, and settled contentedly into a chair to peruse the article on sacred cats.
After a while she began to read aloud so that her own cats could enjoy it, too.
Don Alford would not have been surprised if his envelope had shown contents similar to the ones that the others received. The folded sheets of paper that he pulled forth, however, made him stiffen with sharp surprise.
"Come here a minute, Betty," he called, spreading them out carefully on the dining room table. "What do you make of these?"
She came, dish cloth in hand, and thoughtfully examined them, one by one. "Multiple choice questions! It looks like a psychological test of some sort."
"This isn't the kind of thing I expected them to send me," worried Don. "Look at the type of thing they ask. 'If you had discovered a new and virulent poison that could be compounded from common household ingredients, would you (1) publish the information in a daily newspaper, (2) manufacture it secretly and sell it as rodent exterminator, (3) give the information to the armed forces for use as a secret weapon, or (4) withhold the information entirely as too dangerous to be passed on?'"
"Could they be a spy ring?" asked Betty. "Subversive agents? Anxious to find out your scientific secrets like that classified stuff that you're so careful of when you bring it home from the lab?"
Don scanned the papers quickly. "There's nothing here that looks like an attempt to get information. Besides, I've told them nothing about my work except that I do research in physics. They don't even know what company I work for. If this is a psychological test, it measures attitudes, nothing else. Why should they want to know my attitudes?"
"Do you suppose that POSAT is really what it claims to be--a secret society--and that they actually screen their applicants?"
He smiled wryly. "Wouldn't it be interesting if I didn't make the grade after starting out to expose their racket?"
He pulled out his pen and sat down to the task of resolving the dilemmas before him.
His next communication from POSAT came to his business address and, paradoxically, was more personal than its forerunners.
We have examined with interest the information that you have sent to us. We are happy to inform you that, thus far, you have satisfied the requirements for membership in the Perpetual Order of Seekers After Truth. Before accepting new members into this ancient and honorable secret society, we find it desirable that they have a personal interview with the Grand Chairman of POSAT.
The story opens not with a character but with a classified advertisement: “MASTERY OF ALL KNOWLEDGE CAN BE YOURS!” This ad, placed by the Perpetual Order of Seekers After Truth (POSAT), appears in several magazines in July 1953. The narrator notes that most readers ignore it, but three individuals respond in ways that reveal their personalities and circumstances. Bill Evans, an unemployed pharmacist, clips the coupon with a stubby pencil because he has “nothing to lose.” Miss Elizabeth Arnable, who reads the Antivivisectionist Gazette and keeps cats, mails it in violet ink. Donald Alford, a research physicist, initially passes over the ad while engrossed in a paper by his admired former professor, Dr. Crandon. The story thus establishes a contrast between casual readers and those whose lives are poised for change.
Three Responses, Three Worlds
The excerpt introduces the three respondents through sharply drawn details. Bill Evans is defined by his unemployment and a worn-down skepticism: he “had long since ceased to believe” that he could alter his life, yet he mails the coupon anyway. Miss Arnable is characterized by her cats and her radio; she buys the Antivivisectionist Gazette and pounces on the ad “as a trout might snap at a particularly attractive fly.” Donald Alford is absorbed in professional reading, and his reaction is one of disregard—until he later realizes “some component of the advertisement had been noted.” These vignettes do not yet reveal what POSAT actually is, but they establish that the society’s appeal varies by the reader’s circumstances: desperation, eccentricity, or intellectual curiosity.
A Super-Genius from the Renaissance
Later in the story, Dr. Crandon explains POSAT’s origins to a bewildered Don. The society was founded four hundred years ago by a “super-genius” who, working alone in the Italian Renaissance, derived calculus, quantum theory, relativity, and the mathematics of nuclear binding energy. Crandon claims this man built an atomic reactor and foresaw the dangers of atomic weapons. To prevent misuse, he gathered brilliant contemporaries—Leonardo, Michelangelo—into a secret society to preserve his discoveries until humanity was ready. The explanation is delivered in Crandon’s “clear and logical” classroom manner, but Don objects: “It’s an observed phenomenon. It hasn’t been derived.” The tension between scientific orthodoxy and the society’s claims is left unresolved in the excerpt.
Evidence and Skepticism in the Text
The catalog subjects list “Secret societies -- Fiction” and “Science fiction,” but the excerpts show that POSAT is presented not as a sinister cabal but as a benevolent, ancient organization. The story’s structure—opening with an ad, then introducing three disparate respondents—suggests a focus on how people interpret ambiguous information. Notably, the physicist Don is the only one who receives a detailed explanation; the fates of Bill and Miss Arnable are not shown in the provided text. The narrative also includes a metafictional note: the ad appeared in “July 1953” issues of magazines, though the story was published in 1951. This temporal displacement hints at the story’s playful treatment of time, echoing the founder’s own “displacement in time.”
Readers should pay attention to how the story balances its three opening threads. The excerpts provide a full origin myth for POSAT but leave Bill and Miss Arnable’s outcomes unknown. The narrative voice is wry and observational, often noting what characters fail to notice. The story rewards attention to small details—the violet ink, the stubby pencil, the abandoned bus-seat magazine—that define each respondent’s world. Whether the society is genuine or a delusion remains an open question in the text provided.
I keep returning to that moment in What is POSAT? where curiosity outweighs doubt, the quiet thrill of unanswered questions. It reminds me of poring over maritime ballads, where every verse hides a deeper secret. That same patient spiral of thought lives in Blow the Man Down — A Closer Reading, like finding a faded photograph tucked inside an old book.
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